
Murukami's Norwegian Wood in the morning, (500) Days of Summer at night. In both works, majority of the plot revolves around what love isn't but both end with the promise that this time could be it. Or not, depending on how you see things I suppose. Neither one takes on the burden of exposing what love looks like, but it does a good job of what pining for it is like. Both capture something very human, no matter how seemingly painful and hopeless the process of falling in and out of love is, all of that fear can be obliterated by the possibility that this next time it's going to work. We're like rats that keep buzzing for that electric shock.
Is it all up to chance? Our dispositions and our situations in life are constantly in flux and it seems like many things need to line up before either party is ready. In the movie, the process is less defined, less systematic, like blindly shooting at a target. In the novel, the decision is made to love but with that decision comes the assiduous task of waiting for hearts and minds to heal, to die, to be born again before love can be fulfilled.
Currently, I'm more cynical and from yesterday's cross-art form immersion to love and all its demons what resonates the most is this:
Just because she likes the same bizzaro crap that you do doesn't mean she's your soulmate. Rachel Hansen, 500 Days of Summer
